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Untitled Metal Column

Untitled Metal Column: Volume 10 (Abstracter, Wound Empire)

Sometimes the best music is that which you know nothing about beforehand. Take Abstracter for example. Promo came across my desk and like everything that comes across my desk, I gave it a solid listen. Guys and gals, I know we’re barely a week into the new year but hitting [...]

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Untitled Metal Column: Volume 9.1 (Slipknot, .5: The Gray Chapter)

I’m not saying this is the greatest Slipknot album yet…but it kinda is. An album that should not be is now less than 24 hours from being released. Fueled by death and inner turmoil, .5: The Gray Chapter is a fury-filled fuck you to naysayers and a triumphant step forward [...]

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Untitled Metal Column: Volume 9 (Nachtmystium, The World We Left Behind)

Is this the end of Nachtmystium or isn’t it? According to a recent interview with Blake Judd the end isn’t exactly nigh for the Chicgao black metal luminaries. Regardless, if The World We Left Behind is, in fact, the last Nachtmystium album then listening to this opus is a bittersweet [...]

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Untitled Metal Column: Volume 8 (Corrupt Moral Altar, Mechanical Tides)

Corrupt Moral Altar bring the stuff of metal nightmares on Mechanical Tides. On their debut, these UK metallers bring the frenetic intensity of Converge, the frenetic intensity of Goes Cube, the frenetic intensity of…..there’s just a lot of “frenetic intensity”, okay? Speaking of GC, “Father Tongue” begins MT like a [...]

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Untitled Metal Column: Volume 7 (Mamaleek, He Never Said A Mumblin’ Word)

Mamaleek bring four tracks of mechanical mayhem on He Never Said A Mumblin’ Word. A cacophony of sound wrapped in electronics and black metal, San Francisco’s Mamaleek bring the noise through experimentation and a taste for the apocalypse. Imagine, if you will, you’re watching the upcoming Mad Max movie. Our [...]

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Untitled Metal Column: Volume 6 (Martyrdod, Elddop)

I liken my first time listening through a Martyrdod record to my first experience with Nachtmystium’s Black Meddle, Pt. 1 in that the music is so utterly engaging from the get go yet the vocals are undeniably jarring for a virgin listener. Even more vicious than Blake Judd, Mikael Kjellman [...]

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