Looking for something musically completely out of left field to close out 2019? Then Oslo’s Timeworn is for you! Blending Baroness-like dynamics with the Prog sensibilities of earlier Gojira, Timeworn has constructed a versatile and vicious full-length that’s easily their best yet.
It’s a pretty safe bet to say that there’s really no other artist in Boston who sound like Driip. In a city where Rawk is law, it’s refreshing for a group like Driip to find a unique voice and stand out against the sonic tapestry the city has to offer.
Death Atlas, the latest slab of metallic mayhem from Cattle Decapitation is a revelation. As a non-fan, I respected the musicianship and the intense intricacies with what they did but never found myself really getting into them. Before now, that is.
Words can not express how exciting it is to be able to share a review of the first new Misery Loves Co. full-length in over 19 years with you. Hell, words haven’t been invented yet to describe how exciting it is that there actually IS a new Misery Loves Co. [...]
Grimy and grungy with Black Metal tendencies and an undeniable penchant for gettin’ it done in the overall loudness department, the fourth barnstormer from Lord Mantis easily stands out as one of the heavier highlights of 2019 and a sure contender for our best of year end list.
There’s a lot happening in the five tracks that make up Rabbits, the latest from San Francisco’s Brume. Like, a lot. Dense and downtrodden but still downright delightful, Brume bring light to the dark with their unique brand of Doom for their Magnetic Eye Records debut.
