Whoa. Orochen is definitely in the “don’t judge a book…” category. Ignore the scary striped Tasmanian tiger that graces the cover and embrace the sounds because on their third EP, Thylacine, the “Gothenburg-based apocalyptic post-industrial neofolk” (Per their Facebook description) quartet bring to mind Swoon-era Silversun Pickups, The Stone Roses, [...]
My first taste of Led Zeppelin’s “No Quarter”, believe it or not, was the Crowbar version which graced their self-titled record in 1993. That said, I’m obviously a huge Led Zeppelin fan. But I digress.
Alice In Chains is one of my all-time favorites. To the point of being almost sacred. So when Layne Staley tragically passed away, I like so many others believed that Alice In Chains was done. They weren’t and today continue to honor the legacy of Staley while cementing their status [...]
I love me some Industrial. If we’re being honest, that’s my favorite genre. But Darkwave is a very, VERY close second. And artists like Corlyx really solidify that ranking for me and make me question whether or not I should reconsider my current genre rankings. But let’s face it, in [...]
Unrefined and unrelenting, 2018’s NOT(e)WORTHY from England’s The Penny Antics is a rabble-rousing raucous-fest that hearkens back to a time when wearing flannel 24/7 was rad and destroying your instruments on stage nightly was innovative. Within the five tracks presented here, Lewis Hammond and Shane Wood share a masterful display [...]
Enthralling is probably the most perfect adjective I could think of when describing the music released by Lauren Lakis thus far. Combining this kind of mysticism that Marriages or Chelsea Wolfe exude with a Pop veneer, Lakis is making music that is mysterious and powerful yet accessible.
